South Korea is poised to launch a broadcast network in full HD 3D. Lots of TV manufacturers are touting 2010 as the year of 3D. I think this effort will fall flat on it’s face just like it did in the 50’s and again in the late 70’s. While there continue to be innovations eliminating the need for funky red and blue glasses, the added value of 3D is slim to none.
I saw the Disney film UP at the theater in 3D. The glasses were fine and the movie was enjoyable. I was in awe at the beginning of the film with the increased depth. The movie was playing the 3D effect up with characters that lunge towards the camera to jolt the audience. But near the end of the film I noticed the 3D less and less. After the initial wow factor, 3D was more of a gimmick rather than an aide to the telling of the story. This shouldn’t be a surprise as the same part of the brain that processes 2D images, also handles 3D images.
The technology behind 3D video still needs to improve to become as seamless as human vision before we’ll see a big pickup in the consumer electronic industry.
This past Saturday Kristina and I saw 3 movies that were part of the SilverDocs Documentary Film Festival . My reviews of the films we saw (plus embedded clips from YouTube) are below. But first a bulleted list of one-line summaries for the impatient blog skimmers:
Partly Private: Funny movie about circumcision and weird traditions.
No Impact Man: Crazy experiment involving no electricty, paper products, other human niceities for one year to reduce impact on the environment.
We Live In Public: Josh Harris experiments with the Internet/technology and its wild effect on human behavior.
Partly Private is about the age old question that arises with the birth of every boy: to circumcise him or not? Filmmaker Danae Elon dedicated many years to the question which led her to several countries to discover how circumcision is handled in different cultures. The eye-opening moment for me was seeing how the tradition is handled in Turkey where the operation is performed on boys between the ages of 6 and 9. Families hold celebrations in a place like Chuck-e-cheese’s where the boy wears festive garments resembling a Sultan’s or a King’s dress and ride amusement park rides until it’s time to go under the knife.
Overall it was a good film with interesting characters. If you were ever curious about all the kookiness that is circumsion, Partly Private is for you.
No Impact Man
No Impact Man takes living green to the extreme. Colin Beavan wanted to see if it was even possible to live with no impact on the environment for a year. The catch is he lives in a Manhattan apartment. Starting in stages he convinced his family to give up electricity, paper products, any form of transportation that isn’t man powered (including elevators), and even buying anything new. He blogged during the entire experiment which he still keeps up with today (Go figure, he’s a writer.).
For food, Colin resorted to farmers markets and any vegetables he could grow at his urban garden. Laundry was washed in the bathtub by stomping on them (see the clip above) with a mixture of natural cleaners. The TV was discarded, clothes given up, and they even replaced their refrigerator with a cooler. I was surprised his wife even went along with it considering how much of a fashion connoisseur she is.
At the end of the year the husband and wife added a few niceties, like electricity, back into their life. But they were surprised about how many things they actually liked and wanted to keep doing. Colin states that it is totally impractical to expect many to go to the extremes that he did, but if everyone took one or two steps to reduce their impact, the world would be a much better place.
This was Kristina’s favorite film of the festival.
We Live In Public
We Live In Public documents the antics of web entrepreneur Josh Harris. Josh was in early on the Internet boom of the 90’s. He founded high-tech market-research firm Jupiter Communications which is where his money for his other projects came from. Pseudo.com was created to be an online television network targeting big media companies like CBS and NBC. In the midst of the dot-com boom, Harris lost interest in Pseduo.com. He cashed out his share of the company and began work on his next experiment, Quiet.
Quiet was a multimillion dollar month long millennium party in a Manhattan bunker. 100 others were invited to live in a pod hotel while their every move was recorded 24/7. Things didn’t quite turn out as happy as Josh had hoped as people started going crazy from the lack of social structure in the “real world.” That’s OK. Quiet was a pre-cursor for his next project We Live In Public where he broadcast to the net every waking moment with his girlfriend in their apartment. Think of it like an all-access and uncensored version of Big Brother.
The movie shows the effects of technology on human behavior and there were some scary scenes. This was my favorite film of the festival because technology plays such an important role in my life. Plus it was a blast to see some of the big ideas from the dot-com bubble of the late 1990’s. Jason Calacanis had a great quote (I wish it was on YouTube) urging college kids to drop out of school create a dotcom start-up. I would highly recommend checking out We Live In Public if you have the chance.
SilverDocs made for one busy Saturday but it was a lot of fun watching movies that deal with subject matter off the beaten path of mainstream flicks. Kristina and I can’t wait for next years festival.
Is this Pixar’s next movie? Nope, this is the 2006 demo reel of a fellow Art Institute classmate of mine. Billy Woodward and I graduated at the same time in September of 2006. During our graduation screening, Billy’s demo reel blew everyone away. And even if you ignored his 3d animation or his storytelling abilities, the fact that he got the “Voice Over King”, Don LaFontaine, to do a custom voice over for his demo reel shows just how far he would go to make his vision as compelling as possible. Watching this short trailer made you feel like you were actually in a theater waiting for the feature presentation to start. It was easily the best showing of the night leaving everyone wanting more.
I was going to write up this post at some point in the future but when I heard Don died yesterday from complications of a collapsed lung at age 68, I immediately thought of Billy’s demo reel. The fact that he would take the time out of his busy voice-over schedule to help a graduating art student spruce up his demo reel shows just what a great guy Don was. He will be truly missed and movie trailers just won’t be the same without that booming, authoritative voice we’ve grown familiar with.
Kristina needed to make a movie for her Introductory Design class. Lucky for her she chose me as the star as my schedule just happened to be free! The movie also featured everyone’s favorite Puck the cat. I’m proud to be apart of one of the most suspenseful movies of the year. Check it out…
It took about a day to shoot all of the pictures and another full day of editing in Final Cut Express. Kristina scoured for sound effects and music in my impressive collection that I have built up over the years since I was in school. Hopefully she gets an “A” for her late night of editing, but if not, we still had fun making it even if it isn’t the most professional flick on the interwebs these days.
Font geeks really hate it when a particular typeface reaches the point of passé. Prime examples include Papyrus, Arial, Times New Roman, and the dreaded Comic Sans. Kirby Ferguson despises a font used in most of the big-time Hollywood movies, Trajan. Like Times New Roman is the default font for Microsoft Word, Trajan is the default font for movies. It never really hit me before until Kirby put a bunch of movie posters side-by-side where it became painfully obvious. Watch the video below for a better idea:
It’s bad enough that movie plot lines are lacking creativity and freshness, but does movie typography have to follow suit?