Canon Strikes Back Against The Nikon D90

Two weeks ago Nikon launched the first DSLR with video capabilities. But today Canon unveiled the 5D Mark II, a worthy competitor. The 21.1 megapixel successor to the 5D includes the ability to shoot 30 progressive frames per second with 1,080 vertical lines per frame. Video nerds call this 1080p30. What this means for the rest of us is the 5D Mark II becomes an effective HD media acquisition tool for both pictures and video.

Canon has a sample gallery with 8 videos resized for the web. Full resolution video clips from the Canon 5D Mark II are also available for download.

The table below outlines the video differences between the two cameras.

  Canon 5D Mark II Nikon D90
Resolution 1920×1080 1280×720
Frame Rate 30p 24p
Video Format MOV(H.264) AVI (MJPEG)
Max Recording at full resolution 12 minutes 5 minutes
Microphone Input 1/8" mono jack None

The biggest thing that makes the 5D Mark II better for video over the D90 is the microphone input. The mic input is big for people that want to record sound from something other than the on board microphone. It might not be an XLR input, which all of the professional gear uses, but it is still nice to have the option.

While most prosumer media gurus will be excited about the 1080p abilities of the Canon 5D Mark II, indy filmmakers like Stu Maschwitz are adamantly upset about the lack of 24p. Shooting video at 24 frames per second produces a look that is more filmic and less harsh compared to the TV standard 30 frames per second as well as making it easier to transfer to film for cinema distribution. I see Canon targeting the 5D Mark II video features at the web video crowd who want to capture the best photos and videos from a single device. This is more like TV news gathering than artsy, indy filmmakers.

But I see no reason why Canon couldn’t introduce a new firmware update that gives a new option for 24p recording since it is certainly feasible technically.

The new camera is set to go on sale at the end of November for $2,700. The Nikon D90 will hit the market at the end of September for less than $1,300. Until then you can read about every single minute detail from DPReview’s hands on preview of both the Canon 5D Mark II and the Nikon D90.

Video Recording From A DSLR?

Nikon announced the Nikon D90 digital SLR yesterday. The camera is your run-of-the-mill DSLR with 12.3 megapixels, built-in sensor cleaning, and a bigger screen blah, blah, blah! But the feature that that sets this still camera from the pack is the fact that it does 720p HD video at 24 frames per second.

A digital SLR that records high-definition video? Holy smokes! Point and shoots have been able to record video for quite some time. What seperates the D90 from point and shoots is the larger sensor size and the glass in front of that sensor. HD video is known for lacking depth resulting in a bland, flat image. Several companies like Red Rock Microsystems even make adapters for prosumer cameras that enable the attachment of 35mm lenses to get around the issue.

The sample video clips from the D90 speak for themselves:

It seems natural that video capabilities will become standard affair in DSLRs within the next 2 years. How will Canon respond to Nikon’s volley? Nikon has put Canon in an uncomfortable position. Keep in mind, Nikon doesn’t make video cameras. Canon does.

Assasin Bug And Honey Bee Close Up

I’ve been saving these two dead bugs for a while. I really wanted to take some detailed, close-up macro shots of them when I found the time. Well tonight was that time!

Close up shot of the side of an assassin bug.

I believe the bug above is called an Assassin bug. At least that is how I always refered to it. As you can see this little bugger collected some dust while laying on it’s back.

Assassin bugs get their name because of the speed that they have to grab and poison their prey. They are carnivorous, or meat eaters, and use their powerful, jack-knife forelegs to grab their prey. They have sticky pads on these front legs, made up of thousands of tiny hairs, that stick to their victims and keep them from getting away.source

Close up macro shot of a honey bee on it\'s side.

This looks like a typical honey bee found all over North America. It was hard to find an interesting angle for this guy but I ended up laying him on his side so I could get a glimpse of his underside.

For both of these pictures I used a Tamron 180mm 1:1 macro lens on my Canon 300D. I used an old Sony 200 watt video camera light to keep the shutter speeds high in order to reduce the effects of camera shake. When you are zoomed in as close as I was even the pressure on the shutter button is enough to cause unwanted motion blur on the subject.

I experimented with different apertures mainly around f/5.6, f/8.0, f/11 and f/16 to see which would give me the best focus. f/16 was the one used in both of these photos and proved to be the winner of the night.

Photographing dead, lifeless bugs is good practice but I have no idea how macro photographers capture live, moving bugs with such crispness and clarity. One of these days I will venture outdoors with this macro lens and see for myself how to do it.